Haydn, Bologne, Beethoven

Travel through pre- and post-revolutionary Paris, where musical and political ambitions collide in the works of Haydn, Bologne and Beethoven.

 

From the grandiose opening of Haydn's fourth ‘Paris’ Symphony, to the fizzing wit of its finale, the composer makes the most of an orchestra over three times the size of his usual ensemble.

 

Reportedly a favourite of the soon-to-be-deposed Marie Antoinette, it was commissioned by the dazzling violinist, fencer and composer Joseph Bologne. Despite his close engagement with the highest aristocratic circles, Bologne - who had dual French/Caribbean heritage - was invigorated by the Revolution’s ethos of social reform, later leading a legion in support of the Republic.

 

The evening concludes with a work that transformed the classical symphony, catapulting it into the Romantic era. Initially dedicated to Napoleon, his decision to proclaim himself Emperor dashed Beethoven’s hopes that he would realise the ideals of the Revolution, and the dedication was swiftly removed. Nonetheless, the sense of rebellion remains.